Design Flashback is a new series that takes a break from web and mobile projects to dig up some amazing retro/vintage inspiration. Looking beyond the web brings entirely new ideas to the table, and besides, graphic design repeats itself; just like fashion.
Outside inspiration is particularly important if you’re self-taught, since it’s more than likely that you zeroed in on the Internet (as you rightly should), while completely ignoring the greats in every other industry.
Typography exploded during the 1950’s, leading to some of today’s most notable and common typefaces. And as with most exemplary type designs, many fonts from this decade aged particularly well and continue to have an massive impact on design today. Take a sec to be inspired — here’s a list of 10 Iconic typefaces born in the 1950’s:
So much has been said about Helvetica that there’s not much left to say. It’s a classic, incredibly well designed typeface that was designed in 1957 in conjunction with Eduard Hoffmann for the Haas Type Foundry.
Egyptienne was designed in 1956 by Adrian Frutiger for the Deberny & Peignot Foundry and was the first new text face created for the process of photocomposition.
Undertaken in 1957 for Deberny & Peignot, Adrian Frutiger’s Meridien develops the Latin form into a classical text face of brilliant texture.
Univers is a realist sans-serif typeface designed by Adrian Frutiger in 1954.
Optima is a humanist, sans-serif typeface designed by Hermann Zapf between 1952 and 1955 for the D. Stempel AG foundry, Frankfurt, Germany.
Futura (Light, Light Oblique, Extra Bold, Extra Bold Italic)
Futura is a geometric sans-serif typeface designed in 1927 by Paul Renner. As you can see, it wasn’t designed in the 50’s, but grew substantially at this time with the addition of Light, Light Oblique, Extra Bold, Extra Bold italic.
Courier is a monospaced slab serif typeface designed to resemble the output from a strike-on typewriter.
Microgramma is a sans serif font designed by Aldo Novarese and Alessandro Butti for the Nebiolo Type Foundry in 1952.
Remember, great design transcends the medium. It doesn’t matter if it’s industrial, packaging, print, automotive, Web or anything else. Get inspired every day by people who don’t create anything the way you would. Get inspired by people who aren’t anything like you — then go back to your screen and make something beautiful.